Category Archives: diversity

Just in time for Martin Luther King Weekend…”12 years a Slave”, Oscar nomination is your nudge

The PR stars are aligned for “12 years a Slave,” with its Oscar nomination for Best Picture and its nationwide run starting just in time for MLK weekend.

As I mentioned on the AALDEF blog, if you didn’t feel compelled to see the movie when it opened late last year, I don’t blame you. It’s much more graphic perhaps than it needed to be. But maybe in this day and age where it takes a shock to be noticed, we all need to see it.

The black film critic Armond White called it “torture porn.” And I tend to agree. There’s a fine line separating art and titillation when it comes to the sadistic violence we see in the film. The director Steve McQueen has made movies that come right up to the edge.  In fact, White has been very vocal about his stand and spoke out loudly while McQueen accepted a recent award from the NY film critics group. White was accused of heckling and was thrown out of the group for his behavior, not his opinion.

As much as I appreciate White’s contrary view, I still believe  “12…”  is worth seeing. Too many of us take slavery for granted as a part of our historical past. But what has been overcome shouldn’t be forgotten.

I called “12 years a Slave”  electroshock for racists in my short review on the AALDEF blog.  But who out there thinks they’re racist? So let me be more general. If you have a spec of racism in your being, from raging KKK to the sublimated, in-denial kind, seeing “12 years a Slave” will exorcise it out of you.

That’s what seeing the racism and hate on the big screen does.

As for the other nominations, I’m a big “American Hustle” fan. But compared to “12 years a Slave,” it just doesn’t get you emotionally. ABSCAM? Slavery? No comparison. The acting is good in “12…” and you definitely feel for the characters. But somewhat it seems one-dimensional compared to the complexity of cons conning cons in “American Hustle.” Amy Adams and Christian Bale are tremendous together. When the story fails to engage, you don’t mind. You just keep wanting to watch Adams and Bale. And not for Bale’s comb over. The overlooked performance in that movie, however, was by Jeremy Renner. It’s a shame his pompadour got edged out by Bradley Cooper’s perm rods.

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VIDEO: Classy, teary apology from MSNBC’s Melissa Harris-Perry should be more than enough to satisfy the aggrieved on the Right

We can debate whether it was  a trumped up controversy or not, but MSNBC’s Melissa Harris-Perry gave an apology anyway for comments made on her show about the adopted African American grandchild of Mitt Romney.

The apology sure wasn’t one of those infamous non-apologies that people who aren’t really sorry tend to give.  MHP’s was heart-felt, emotional, and sincere. As the namesake of the show, she showed real courage and integrity by standing up to the heat.  It’s the kind of apology that makes you like the person more, not less. And based on the alleged “crime,” I don’t think the Right needed much more than a clarification.  It shouldn’t have required  such a full blown apology.

But she did one. And took responsibility for everything.  She didn’t deflect, try to blame guests, producers, etc.  She put it all on her shoulders.  You’d think that should earn her  some brownie points from her critics. But she continues to be bashed on conservative sites for her “crocodile tears.” The woman’s from New Orleans, but those weren’t crocodile tears.

She deserves credit for putting aside the b.s. of political TV talk and just being real.

Here’s the apology:

 

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Unemployed critic, a journalist of color gets aid from internet: Craig Lindsey shows minority journalists aren’t part of some protected class

 

I feel for Craig Lindsey, a laid off critic, who went on-line saying he will be “snarky” for food.

 

He’s also African American.

 

At least he didn’t  have to go on traffic island and get red-light donations.

 

It was the first news story of 2014 that I saw, reported in Richard Prince’s Journa-lisms blog. (See link below).

 

When I got laid off at NPR, a top network TV exec had lunch with me and offered no job.

 

Said exec: “Time to be entrepreneurial.”

 

That’s what modern corporatists call” do-it-yourself welfare.”

 

That was in 1991, the beginning of the end of the notion of “safety net.”

 

Republicans have perfected the idea since then. More than a million lost their unemployment benefits last week. Another million could lose benefits by February.

 

Craig’s story reminded me how there’s some myth that journalists of color are spared from layoffs, as we’re somehow part of some “protected” class. You know, how minorities got their jobs to fill some imaginary quota to have diversity in newsrooms.

 

Never been my experience. There’s  still a form of “last hired, first fired” at work out there.

 

Call it “Reverse Equality.”

 

As I was reading about Craig,  I saw a network report on a morning show by a reporter, who 15 years ago was the hot female anchor on the network. Now she is rarely seen and plays utility reporter, national news quickies from the New York desk.

 

But she’s weathered all economic storms. She’s white, female. And protected.

 

See Richard Prince in “Journal-isms” on Craig Lindsey:

http://mije.org/richardprince/jobless-critic-raises-4g-stave-homelessness

 

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“Hobbit” big, “Anchorman 2” smaller than expected, as weekend box office receipts tallied

“The Hobbit: the Desolation of Smaug” was again the No.1 movie in the nation with $31.5 million in tickets, giving it a two week take of $127.5 million, according to the NY Times.

“Anchorman 2,”lived up to its name and finished 2nd at $26.8 million. But it opened on Wednesday and is up to $40 million total, well on its way of making back the $50 million it cost to make.

Now instead of showing up in ads and free media everywhere plugging the movie, maybe producers will start showing up to Filipino community fundraisers or consider giving a little bit in aid to the typhoon victims in the Philippines.

As I pointed out on my blog post for the Asian American Legal Defense and Education Fund, the silly anchorman was sullied by an ignorant joke that promotes a Filipino stereotype.

http://aaldef.org/blog/anchorman-2-movie-didnt-need-racist-ethnic-joke-against-filipinos.html

It was just one line, am I being too sensitive?  I don’t think so.

If all you see in the media about Filipinos is negative, then such jokes are indefensible. If there were something to counteract the throw away line in the movie, it would have been easier to take.

For example, there were a number of tasteless jokes about African Americans in the movie, as well. But there were African American actors in the movie  who were able to clearly rebut Ron Burgundy/Will Ferrell.

Read the piece on the blog.

http://aaldef.org/blog/anchorman-2-movie-didnt-need-racist-ethnic-joke-against-filipinos.html

And let’s hope that once the producers hit their $50 million nut, they will consider giving aid to the victims of the typhoon in the Philippines. The typhoon displaced millions of people, many of whom are hungry.

And not eating dogs.

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