Category Archives: news

Emil Guillermo: Snowed in? This is why God created binge-watching. Opportunity to be snowbound with Rachel Bloom in hot pursuit of Vincent Rodriguez III in “Crazy Ex-Girlfriend.” Really, when was the last time you saw a Filipino American male treated like an object of desire on TV?

Not since my perm days as a local TV guy in San Francisco, right?

But Vincent Rodriguez III, born in San Francisco and raised in the Filipino enclave of Daly City, California, wouldn’t have his chance on network TV without Rachel Bloom.

Bloom is seen her taking  stage as her name is called for the Critics Choice Award for best  actress in a comedy series, CW’s “Crazy Ex-Girlfriend.”

But I’d name her best executive producer for insertion of a Filipino American story line in a network series.

 

Read my Column about the show and Vincet Rodriquez III and you’ll see why I have this obsession about this show (at least this season).

http://aaldef.org/blog/emil-guillermo-vincent-rodriguez-iii-rachel-bloom-cws-crazy-ex-girlfriend-is-my-kind-of-show.html

Then go to my Q and A with Vincent (edited transcript) on NBCNews.com:

http://www.nbcnews.com/news/asian-america/diversity-authenticity-dinuguan-how-crazy-ex-girlfriend-changing-tv-n501486

And you get to see the great performance of Amy Hill, who plays the Filipino mom. One of the original cast members from Margaret Cho’s “All American Girl,” Hill has endured the scene with her comic genius intact.

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To watch “Crazy Ex-Girl Friend” for free (at least until Monday): You can start from the beginning, but my favorite is the Thanksgiving show.

http://www.cwtv.com/shows/crazy-ex-girlfriend/my-first-thanksgiving-with-josh/?play=b9e6091b-84f9-4b56-9656-058268f72a0c

If you’re still snowbound, there’s one good reason to move from east to west—to  Daly City, California, West Covina North.

 

Emil Guillermo: Trump in the corn fields turns to Palin, and now we have the TP Show, the Kardashians of Politics; Or is it just “Dumb and Dumber”? Is this what the Founders imagined, the Trumping of Democracy? Better not to confuse the campaign with actual governing. This ploy was mostly a cruise missile on Cruz. But maybe all this will mean someone with real major league government experience will emerge as the straight man to this comic show. A Christie, a Kasich? Another Bush? At some point, the GOP has to get serious.

Emil Guillermo: Bowie was the individual, Glenn Frey was the individual behind the group; some thoughts of one of the key Eagles of American boomer pop.

 

 

“Take it Easy.”

“Hotel California.”

“Desperado.”

As a Rock DJ in the ‘70s, the Eagles’ music was part of my soundtrack.

And when the British invaded harder, and the best America could offer was disco, it was the Eagles that came up from the West to win the day.

Glenn Frey? Should have been bigger than he was as an individual performer. But he was a vertiable giant as one of the Eagles.

I saw the Eagles a few times live. The best show was 1976. Cotton Bowl. A hot July with the Rolling Stones and the Eagles. That was a show.

Later in the 80s, I was a critic and entertainment reporter on television in San Francisco, and the most important stories were not about the artists’ work.

That stuff lives forever.

The stories that made the beat the newsiest in the newsroom was when the music, the words, the images stopped.

It was when the artist died that became the urgent bulletin.

In less than two weeks, we’ve seen the passing of two creators;

Bowie, the individual.

Frey, the group guy.

Bowie was more rebel and provocateur.

Frey was more troubadour poet.

I remember driving across country with one tape: “Hotel California” on the car stereo.

But it was “Take it Easy” that made me see the road in a new light. Especially when we got to Winslow, Arizona.

There was no girl in a flat-bed Ford who stopped to take a look at me.

I looked.

But that song is about hope, love as salvation, and taking a chance.

“We may lose, or we may win, though we may never be here again.

”So open up, I’m climbin’ in. Take it, easy.”

Between the Summer of Love and Disco, the heyday of British metal and the coming of the New Wave, the Eagles and Glenn Frey were a stabilizing force in American pop. As singer-songwriter, Frey provided the ‘70s anthems that marked the times for the boomer  generation.

Emil Guillermo: Have you seen Oscar nominated “Spotlight” yet? Dying breed of movie on a dying breed of journalism.

Just saw “Spotlight,” nominated for six  Oscars, including best picture.

It’s about an investigation into the cover-up of Catholic clergy abuse in the Boston area in 2002.

There is no nudity. No  sex scenes. No murder. No violence. No car chases or crashes.  No catchy music montage scenes.

There are reporters (played by big time stars)  asking questions, getting documents, doing research, and going over directories line by line and entering data onto a computer spreadsheet.

And it’s better than “The Martian.”

As a former newspaper journalist, I suppressed a tear  when Mark Ruffalo, playing the lead reporter,  broke into an emotional speech about the urgency of publishing the expose on Boston’s pedophile priests.

Seeing the whole journalistic process, ending with the printing of the actual newspaper, was also pretty sentimental for me.

Headlines in print aren’t the first to bring us the news these days. Not like an alert in e-mail or twitter.

At the time the Boston Globe’s “Spotlight” team published its story, I had just transitioned from TV and Radio to newspapers.

I didn’t realize I was walking into the part of the industry that was falling apart.

There’s some hope the movie could be a shot in the arm for the biz that inspires a new generation of investigative journalism.

It did  make me curious of the current state of pedophilia in the church.

According to the latest survey by the U.S. Conference of Catholic Bishops (2014), the total number of new victims was at 330;  new allegations, 336; and offending priests and deacons at  245.

All told the costs related to Child Protection Efforts is at $150,747, 387 for the year. It includes  $119,079,647  in settlements and payments to victims.

Most of the victims say the experience occurred between 1975-1979 when they were between the ages of 10-14.

The movie may boost future numbers as more victims feel the time is right to end the silence and come forward to expose the church.

It took the Globe’s story for the truth to come out in Boston.  And judging from the  long list of dioceses that are on the dishonor roll that play in the movie’s credits, there’s still a lot more truth to expose.

The movie “Spotlight” is reported to have cost about $20 million to make.

It just crossed the $31 million mark at the box-office,  a little more than 14 years from the day the story first published on Sunday, Jan.6, 2002.

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